Star Trek/Planet of the Apes #2 |
Star Trek/Planet of the Apes: The Primate Directive #2: Captain
Kirk and crew continue their investigation of the Ape planet and end up meeting
Charlton Heston’s Taylor! The Enterprise
team realizes this planet is an alternate Earth as they meet the legendary George Taylor.
Taylor, relieved to see other advanced humans, assumes they have arrived to
help him overthrow the ape government. Kirk resists, but is introduced to Chimpanzee Doctors
Cornelius and Zira and given a crash course in the stratifications of Ape
society. Of course Kirk refuses military assistance because of the Prime
Directive not to interfere in other cultures, leading Taylor to take matters
into his own hands.
This series is a total blast, successfully combining two
sci-fi franchises and two hammy lead actors. Highly recommended!
Rating: ****
out of 5 stars
Alex + Ada #12 |
Alex + Ada #12: Alex’s friend Jacob arrives unexpectedly at the
house, convinced robot Ada has achieved sentience. She has. But proving it is
another thing. Baiting and pushing her, Jacob provokes action—violent action—from
Ada. Can she control herself before she kills him, as she easily could? And she
now has to consider that if someone hostile to her knows of her self-awareness—both
she and Alex could be in immense danger. Meanwhile, Alex is dealing with his
ailing grandmother, who is sicker than he thought. How much loss can he deal
with at one time? It gets worse when he returns home and surveys the damage
....
Full of mad ideas and intense
thrills, Alex + Ada is
one of the best books on the stands today.
Rating: ***** out of 5 stars
Winterworld #7 |
Winterworld
#7: Tough guy Scully and his fourteen year-old ward Wynn continue their trek
through the frozen wastes of the north. Only now they have a passenger, the
thief Trina. Wynn takes an immediate dislike to her, jealous of her “adult”
relationship with Scully. The three are being followed by a group of
rapscallions Scully ticked off years ago, and the bad guys finally catch up. In
this world, that’s really holding a grudge. It will take trust and teamwork for
Scully, Wynn and Trina to work together to resist this group of armed
strangers. In the end, Wynn and Trina may not actually like each other, but
they certainly get along better. I guess barely escaping certain death will do that to you.
Ace
adventure writer Chuck Dixon turns in another action-packed script that moves
the story forward. The art is by Tomas Giorello and he’s terrific. A worthy
successor to Jackson Guice’s outstanding work.
Rating: **** out of 5 stars
Star Wars #1 |
Star
Wars #1&2: After decades of fine Star
Wars stories, the license for Star
Wars comics is reverting from Dark Horse Comics back to Marvel. On the face
of it this is cause for regret—if it ain’t broke, don’t fix it! But life moves
on. Judging from this first issue, Marvel Star
Wars comics may actually be ... good?
I’ve enjoyed writer Jason Aaron’s work
in the past, and artist John Cassaday is one of the best comics has to offer. Unfortunately, putting Cassaday on the book guarantees we won’t see another
issue for at least six months, and then he’ll leave the book.
The stories in
this “main” SW title take place shortly after the first SW movie and long
before The Empire Strikes Back.
Princess Leia leads a covert team (including Luke, Han and Chewy) to a planet
that contains the Empire’s largest weapons factory. They slide in smoothly
undercover, but are soon discovered by a recently arrived Darth Vader and his
Stormtrooper goons.
Then things start to explode. There is a lot to like in
these first two issues; the banter between Han and Leia (and Chewy), C-3PO’s
defense of the empty Millennium Falcon, and Luke’s novice use of the force. In
Issue 2, Luke has his first face-to-face confrontation with Vader, who makes
short work of him and confiscates his lightsaber. Fortunately, Vader is interrupted
before he can kill him. Many explosions later, Luke has his saber back and Vader
is left with a familiar and disturbing feeling about this young Jedi.
Star Wars #2 |
These
issues are delightful and give me hope Marvel may be interested in quality Star Wars comics and not just hacking
out refuse to Marvel Zombies with full wallets. I look forward to their Darth
Vader and Princess Leia books—I’ll definitely give them a try.
Rating: **** out
of 5 stars
Justice Inc. #6 |
Justice Inc. #6: I’m a sucker for pulp heroes, and to me anything
featuring a crossover between Doc Savage, the Shadow and the Avenger is like
catnip to Simba the lion. That said, the execution of this story leaves a lot
to be desired. Writer Michael Uslan may be a great Hollywood lawyer and
producer, but no one will mistake him for a writer. His handling of Doc Savage
as a petulant whiner is a bit out of character. He fails to make the Avenger an
interesting or sympathetic character, even with the story of his creation and
the tragic death of his wife and child. Uslan has a good sense of history and a
decent grasp on the Shadow, he just has more enthusiasm than talent as a
writer. The art is terrible. I stuck with all six issues because I love the
characters (and those Alex Ross covers), but never again. This is not worth the
money.
Rating: **½ out of 5 stars
Lady Killer #2 |
Lady Killer #2: Equal parts style and cheek,
Lady Killer navigates readers through the world of a 1960s killer for hire—who just
happens to be a suburban housewife and mother of two adorable tykes. Issue two
takes us into the Playboy Club, as Josie goes undercover as a harried lunch
lady. Kidding! Of course she’s a hot bunny, complete with ears and a tail. She
lures her target into the cloak room and plays a bit of cat-and-mouse until she
fulfills her contract. Pressured by her boss to take another job quickly, even
she is shocked when she discovers the new target.
Lady Killer is audacious and violent
with a solid helping of ironic, tongue-in-cheek humor. The only negative is the
similarity with another “suburban mom as killer” book, Jennifer Blood (although the protagonist in that book killed for
revenge, not cash). Hopefully the story will distance itself as the series
progresses. The art by Joelle Jones is breathtaking and alone worth the cover
charge.
Rating: ***½ stars out of 5
Birthright #5 |
Birthright: #5: I love love LOVE Birthright and it just keeps getting
better. Mikey is a hero kidnapped as a child and taken to a fantasy world to
fight evil. Grown up, he’s back on Earth now, trying to reconnect with his
family. It seems that Mikey wasn’t necessarily with the winning side in that
world—and not necessarily one of the good guys either.
Mike has dragged his father
and brother into the woods to fight who he tells them is an evil sorcerer.
Trouble is, while Mikey may be able to hold his own, evil sorcerers are a bit
out of the league of a sixteen year-old and a soccer dad. No matter, Mikey has
the matter—and his broadsword—well in hand. The question is, is this sorcerer the
evil despot Mikey says? Or will his untimely death start Earth down the path to
being overrun with monsters and demons?
The
flashback scenes follow a young Mikey as he first arrives on the fantasy world,
meets his allies and learns to battle malevolent monsters. He seems like a nice
enough kid, and even at this age shows grit. What went wrong? The ending is a
huge cliffhanger that takes the story in a different direction and definitely
leaves the reader wanting answers. Great stuff.
Rating: ***** out of 5 stars
The United States of Murder Inc. #6 |
The United States
of Murder, Inc. #6: Oh Brian Michael Bendis, what are we going to do with you?
The story in this issue is perfectly serviceable and contains a major decision
from one of the main characters. The theme of the book is that the mob controls
most of the east coast of the U.S., Congress runs the rest of the country and
they have an uneasy alliance between them. Overall it’s a decent read. But
Bendis, Bendis, your lazy habits are excruciating! First of all, a typical word
balloon in a comic contains around 18-24 words. A typical word balloon in this
comic contains the “F” word about 40 times. Bendis, even if characters talk
like that, don’t you think it comes off as lazy and repetitive to your readers?
How does this enhance the story experience of this comic? Your characters cuss
a lot. We get it. Secondly, the
stutters. Bendis must have grown up in a house, neighborhood, school, county
and city where everyone started every sentence with a stutter. Every Bendis
character in every Bendis book stutters! It’s lazy writing, Brian! Pick one
stuttering character and Mel Tillis away, but does everyone have to stutter on
every sentence? Here are just a few from this issue: “Just—just why?” “Of—of course
I want them back.” It—it would be my honor.” “This—this isn’t the end of this.”
Which leads me to another annoying habit. Brian Michael Bendis should not be
allowed to ever use the word “this” in his writing. Ever. Take that last
sentence (“This—this isn’t the end of this”). He manages a stutter and to use
the word “this” three times in one sentence! Other egregious examples from this
issue: “... if this happens and no one stops it ... “ “This is something that
needs to be done.” “I’m not doing this with you.” “I can’t believe this.” “I
can’t believe this (again).” “I can tell you this.” “This is not a drill!” “You
brought this in my house!” “Everybody stop and look at this.” “All this s***.” “You
have proof of this?” “You have proof of this? (again)” “This is something
special.” “Not for them this f***** plan ... “ “You have made insane sacrifices
to put this world back together ...” And of course, the above mentioned “This—this
isn’t the end of this,” Bendis’s crowning “this” achievement. Yes, “this” can
be used as an adjective, pronoun, adverb or definite article. But not all at
once in the same sentence! FIND ANOTHER WORD. None of these habits are limited
to this comic. This is all of Bendis’s work. Yes, I said “this.”
Unfortunately,
there are other problems with the book. The printing is murky and the coloring and palette are downright ugly. In the first
few pages, humans are colored green and the backgrounds are pink and red. Why? The art is crowded and the storytelling is confusing. I’m not a huge fan of
artist Michael Avon Oeming’s work anyway, but this particular issue was not
drawn well. During one action sequence where the bad guys were trying to
extract information from someone, I just couldn’t tell what was happening. This
one was not good, guys. I hope next month’s (or year’s) issue is better.
Rating: *** out of 5 stars
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