Sabotage
is yet another Arnold Schwarzenegger comeback vehicle. Arnie plays the grizzled
head of a DEA strike team. He is a father figure to a stable of tough-guy
actors (including Lost’s Josh Hollway and True Blood’s Joe Manganiello) and one
woman, Mireille Enos (The Killing, World War Z).
Suffering
from the loss of his family murdered by a drug cartel, Arnold’s character John
“Breacher” Wharton decides to lead the team in a $10 million rip-off of cartel
cash. They hide the money during a raid and when the team goes back to
collect, it’s gone. Team members turn on each other and also manage to alienate
the local police detective (Olivia Williams) investigating their nefarious
activities.
Gritty, dirty and violent, Sabotage doesn’t pull any punches or offer redemption to any of its damaged characters. Especially enjoyable was the fact that Hollywood finally made Mireille Enos sexy. She tends to play a drab, sexless, emotionless stone in frumpy clothes, with her hair severely pulled back and no makeup. In Sabotage, her character is a sensual, danger-loving thrill junkie who is borderline psychotic (possibly without the “borderline”). A nice stretch for her acting muscles and makeup team, I’m sure. While not perfect, Arnie’s charisma and world-weariness helps make Sabotage an enjoyable, action-filled diversion. I enjoyed it, but with a $5 million opening weekend, the rest of America apparently wasn’t interested. Adjusted for inflation, that’s the worst Schwarzenegger movie opening in history. I know Arnie still has it—he just needs the right vehicle. He’ll find it.
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