Imagine
an enticing mystery story with Harry Houdini at his medium-busting best, phony clairvoyants
(a redundancy if there ever was one), a naive Arthur Conan Doyle, intrigue, steamy
affairs and tainted money changing hands. All of these subjects are covered
nicely in this complex, non-fiction tale of Houdini exposing Margery Crandon, a
self-proclaimed psychic nicknamed the Witch of Lime Street. It’s also about the
dissolution of the friendship between Houdini and Sherlock Holmes author Doyle over the existence of the supernatural.
Houdini
(born Erik Weisz) vociferously disliked “mediums” and their contrived dog and pony shows.
He would attend their séances and debunk them, sometimes afterwards and
sometimes in the middle of a séance, while the medium was pretending to talk to
dead people. His reputation was so fearsome to these charlatans he was barred
entrance to most gatherings and eventually had to infiltrate in disguise.
Enter
the magazine Scientific American,
who actually sponsored a contest for anyone who could prove spiritualism
actually existed. Houdini was one of the judges. The most promising contestant
was a Boston housewife called Margery. She would speak with the voice of her
dead brother, regaling guests with anecdotes from his life, as well as endless
opinions, poems and other witty repartee. Her biggest defender was Doyle, who
was 100% devoted to belief in mediums and spiritualism.
Houdini
squared off against Margery many times, and she and her team were prepared for
him. Moreover, even though he not only explained her tricks but also
demonstrated how she accomplished them, she still had her unshakeable supporters.
The once-strong friendship between Houdini and Doyle ended up fraying and
breaking, partly because of Margery but overall because of Doyle’s unwavering
devotion to spiritualism contrasting with Houdini’s skepticism. The book
tackles the battle royale between Houdini and Margery, the relationship between
him and Doyle, and the eventual fates of all the main characters.
The
Witch of Lime Street draws well not only its characters; but also the
allure of spiritualism in 1920s America. It’s a riveting read.
Rating:
**** stars out of 5